Skip to main content

Peter Plogojowitz (Serbian form: Petar Blagojević/Петар Благојевић) was a Serbian peasant believed to have become a vampire after his death and to have killed nine of his fellow villagers.


Peter Plogojowitz (Serbian form: Petar Blagojević/Петар Благојевић) was a Serbian peasant believed to have become a vampire after his death and to have killed nine of his fellow villagers. The case was described in the report of Imperial Provisor Frombald, an official of the Austrian administration, who witnessed the exorcism via impalation by stake of Plogojowitz.
Peter Plogojowitz lived in a village named Kisilova (Kisiljevo) in the part of Serbia that temporarily passed from Ottoman into Austrian hands after the Treaty of Passarowitz (1718) and was ceded back to the Ottomans with the Treaty of Belgrade (1739).
Plogojowitz died in 1725. His death was followed by a spate of other sudden deaths (after very short maladies of about twenty-four hours each). Within eight days, nine persons perished. On their death-beds the victims allegedly claimed to have been throttled by Plogojowitz at night. Plogojowitz's wife stated that he had visited her and asked her for his opanci (shoes). She then proceeded to move to another village. In other accounts it is said that Plogojowitz came back to his house demanding food from his son, and when the son refused Plogojowitz brutally murdered his own son.
The villagers decided to disinter the body and examine it for signs of vampirism; such as growing hair, beard, and nails and absence of decomposition.
The inhabitants of Kisilova demanded that Kameralprovisor Frombald, along with the local priest, should be present at the procedure as a representative of the administration. Frombald tried to convince them that consent from the Austrian authorities in Belgrade should be sought first. The locals declined because they feared that by the time the permission arrived the whole community could be exterminated by the vampire, which they claimed had already happened "in Turkish times," ie when the village was still in the Ottoman-controlled part of Serbia. They demanded that Frombald himself should immediately permit the procedure or else they would abandon the village to save their lives. Frombald was obliged to consent.
Together with the Gradiška priest, he viewed the already exhumed body and was astonished to find that the characteristics associated with vampires were indeed present. The body was undecomposed, the hair and beard were grown, there were "new skin and nails" (while the old ones had peeled away), and blood could be seen in the mouth. After that, the people, who "grew more outraged than distressed," proceeded to stake the body through the heart, which caused a great amount of "completely fresh" blood to flow through the ears and mouth of the corpse. Finally, the body was burned.
Frombald concludes his report on the case with the request that, in case these actions were found to be wrong, he should not be blamed for them, as the villagers were "beside themselves with fear." The authorities apparently did not consider it necessary to take any measures regarding the incident.
The report on this event was among the earliest documented testimonies concerning vampirism in Eastern Europe. It was published by Wienerisches Diarium, a Viennese newspaper, today known as Die Wiener Zeitung. Along with the report of the very similar Arnold Paole case of 1726-1732, it was widely translated West and North, contributing to the vampire panic of the eighteenth century in Germany, France and England.



Comments

Popular posts from this blog

Bolwoningen

The bolwoningen (which interprets as either "ball" or "globule" houses/lofts) were planned in the late 1970s by eccentric craftsman and artist Dries Kreijkamp and worked in 1984. They impart many attributes to the significantly more well known by Piet Blom in Rotterdam – developed around the same time and imagined in a comparable soul. In any case, while Blom's Cube houses are only one more strange note in the engineering clamor of Rotterdam, the bolwoningen are genuine outsiders in their dull-as-ditchwater neighborhood of a medium sized town. Like their rakish urban cousins in Rotterdam, the bolwoningen remain off the ground on plinths – here barrels that look like sort stalks. On entering the front entryway set into one of these "stalks", you locate a little storage room and a staircase driving up into the globe above. The staircase spirals around the internal skin of the circle, driving first to the quaint little inn, past the restroom and latr

10 most beautiful Russian models

While many describe them as steadfast, cold, and disagreeable people, the vast majority of people agree that Russians are a handsome people - at least this is an undeniable fact when it comes to Russian women. Just remember the world of famous people and there you will find plenty of Russian names, or VIPs that originate from Russia - like. Maria Sharapova or Anna Kournikova (former tennis player, now models). So, just like the tennis world filled with Russian beauties, the same thing happens in the fashion world - where Russian patterns have conquered the world. Next, we bring you the 10 sexiest models that "produced" Russia, but that, now, most of them live in fashion cities in Western countries. For Russian women it is said that they have stunning charm - silent, often without emotion and a bit complicated, but still they are very attractive. 10. Vika Falileeva 9. Gia Skova 8. Emiliya Vishnevskaya 7. Anna Ko

The Circle of the Dragon, Taotie

According to ancient Chinese legends, Taotie was one of the nine boys of the Dragon. He spent all the time in the kitchen, making delicious soups. Taotie once had a body, but the gods took the body of Taotie as a punishment for his extreme bitterness. Taotie's image warns against overload. Taotie symbolized greed and sensuality, and his image was often written in groceries specifically to remind people to avoid dragons of fame. The name of the taotie ("glutton"), which came into use from the 3rd century BC, was perhaps inspired by the fact that the monster is usually portrayed as an increasingly bitter animal. The function of the taotie motif is interpreted differently: it can be totemic, defensive, or an abstract, symbolic representation of the forces of nature. The motif was most common during the Shang Dynasties (XVII-XII century) and early Zhou (1111-900 BC). After the early Zhou period, the motif of the taotie mask shifted from a monster that was similar